An exhibition data-mapping the ways in which different ground types at Chornobyl’s Reactor 4 hold memory of the nuclear disaster.

Plotted as a bridal tapestry, the data measures radioactivity readings of raw earth at the Sarcophagus, against the readings from concrete laid before and after 1986.

The collective tapestry of landscape memory retention is plotted through the visual languages of pin-holes on paper as they relate to both familial lineages of lace-making, as well as the technique used by fellow bee-keepers to merge hives.

In the following series, this is made in reference to the plural oral histories of bee-keepers as being the first in the Chornobyl zone to sense that something had gone awry, as bees mysteriously retreated deep into their boxes, though the 26th of April 1986 had been a calm and sunny day.