Stanislava Pinchuk is an artist working with data-mapping the changing topographies of war & conflict zones. Her work is produced in full independence, and surveys how landscape holds memory and testament to political events – spanning drawing, installation, tattooing, film & sculpture.
b. 1988 – Kharkiv, Ukraine
Lives & works in Sarajevo, Bosnia & Herzegovina
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Represented by Ames Yavuz Gallery
( Singapore – Sydney )
CURRENTLY SHOWING
The Theatre of War
Australian Centre for the Moving Image
February 19 – June 9, 2024
Permanent Museum Collection Exhibition
He Art Museum, China
Permanent Museum Collection Exhibition
Art Gallery of South Australia
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UPCOMING
Elisava Barcelona
Teaching Faculty
How could subversive imagination be a trigger for transforming the current environmental, political and cultural crisis into desirable futures?
September 2024 – June 2025
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MUSEUM COLLECTIONS
He Art Museum, The National Gallery of Australia, The National Gallery of Victoria, ACMI, Heide MoMA, La Bibliotheque Nationale de France, UQ Museum, The State Library of Victoria, Art Gallery of South Australia
BIENNIALS
Manifesta Biennial – 14 ( Prishtina, 2022 )
AGSA Biennial – ( Adelaide, 2022 )
PROGRAMMING
New Museum (NYC) : New Inc. / Columbia University Architecture Incubator, Salzburger Kunstverein, OK Sommarakademie Salzburg, Art Basel Hong Kong (Encounters), Elisava Barcelona, Impact – PACT Zollverein
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SELECT PRESS
Forbes : 30 Under 30 List / New York Times : The Quest to Find Home / ARTFORUM : AGSA Biennale’s Best Moments / The Art Newspaper : Stanislava Pinchuk unveils The Wine Dark Sea / The Art Newspaper : Europe Without Monuments / Art Agenda : ‘the most effective intervention of Manifesta 14’ / Australian Centre for Contemporary Art : A World of One’s Own Podcast / TED Talk : Sydney Opera House / Madame Figaro : Points Sensibles / Vogue : Meet Nomadic Artist Stanislava Pinchuk / i-D Magazine : The Transient Spaces of Stanislava Pinchuk / Pacific Standard : The Art of Nuclear Trauma / Art Collector : Mapping a Connection .