Stanislava Pinchuk is an artist working between data-mapping and information-mining, conflict topographies, the legacies of literature and politics of translation.

Her practice spans film, architecture, installation, performance, drawing, tattooing and sculpture.

b. 1988 – Kharkiv, Ukraine

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Represented by Ames Yavuz Gallery

( London – Singapore – Sydney )

CURRENTLY SHOWING

NTAa : Intelligence is Automatic
New Technologies Art Award

Fondation Liedts-Meesen
Ghent, Belgium

Curated by
Thierry Dufrêne

20 February – 8 June, 2025

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Mostly Mined Out

Rotor Centre for Contemporary Art
Graz, Austria

Curated by
Nastia Khlestova & Maksym Khodak

7 March – 25 May, 2025

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In Residence
Vila 31

Tirana, Albania

13 January – 30 April, 2025

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Permanent Museum Collection Exhibition
He Art Museum

Foshan, China

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Permanent Museum Collection Exhibition
Art Gallery of South Australia

Adelaide, Australia

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UPCOMING

The Theatre of War
Film Screening & Presentation

Rotor Centre for Contemporary Art
Graz, Austria

14 May, 2025

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Solo Exhibition
Ames Yavuz Gallery
Sydney

31 May – 18 June, 2025

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Polyphonies
Ames Yavuz Gallery
London

Curated by
Ananya Mukhopadhyay

6 June – 1 July, 2025

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MUSEUM COLLECTIONS

He Art Museum, The National Gallery of Australia, The National Gallery of Victoria, ACMI, Heide MoMA, La Bibliotheque Nationale de France, UQ Museum, The State Library of Victoria, Art Gallery of South Australia

BIENNIALS

Gjon Mili Biennale – 17 (Prishtina, 2025)
Curated by Valentine Umansky (Tate Modern)

Manifesta Biennial – 14 ( Prishtina, 2022)
Curated by Catherine Nichols (Hamburger Bahnhof)

AGSA Biennial 18 – ( Adelaide, 2022 )
Curated by Sebastian Goldspink

PROGRAMMING

New Museum New Inc. / Columbia University Architecture Incubator, Salzburger Kunstverein, OK Sommarakademie Salzburg, Art Basel Hong Kong (Encounters), Elisava Barcelona, Impact – PACT Zollverein, Dallas Contemporary Museum of Art, Vila 31 Tirana

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SELECT PRESS

Forbes : 30 Under 30 List / New York Times : The Quest to Find Home / ARTFORUM : AGSA Biennale’s Best Moments / The Art Newspaper : Stanislava Pinchuk unveils The Wine Dark Sea / The Art Newspaper : Europe Without Monuments / Art Agenda : ‘the most effective intervention of Manifesta 14’ / Art Basel : Alexie Glass-Kantor on The Wine Dark SeaAustralian Centre for Contemporary Art : A World of One’s Own Podcast / TED Talk : Sydney Opera House / Madame Figaro : Points Sensibles /  Vogue : Meet Nomadic Artist Stanislava Pinchuki-D Magazine : The Transient Spaces of Stanislava Pinchuk / Pacific Standard : The Art of Nuclear TraumaArt Collector : Mapping a Connection 

DAY 4,078 OF RUSSIAN INVASION OF UKRAINE

DAY 1,154 OF FULL-SCALE RUSSIAN INVASION OF UKRAINE

DAY 564 OF GENOCIDE IN PALESTINE