Stanislava Pinchuk is an artist working between data-mapping and information-mining, conflict topographies, and their place within the legacies of literature and politics of translation.
Her practice spans film, architecture, installation, performance, drawing, tattooing, painting, coding and sculpture.
b. 1988 – Kharkiv, Ukraine
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Represented by Ames Yavuz Gallery
London, Singapore, Sydney
CURRENTLY SHOWING
The Bowness Prize
Museum of Australian Photography
18 September – 9 November, 2025
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Each Apparition, Searches for an Eye
Private Gallery Viewing Room
Ames Yavuz London
10 September, 2025 +
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Permanent Museum Collection Exhibition
He Art Museum
Foshan, China
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Permanent Museum Collection Exhibition
Art Gallery of South Australia
Adelaide, Australia
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UPCOMING
Days of War
The Photographer’s Shadow
Museo di Battaglia
Venice
Opening 15 November, 2025
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Australian War Memorial
Official War Artist Commission
2026
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CAREER SURVEYS
Terra Data
Heide MoMA, 2021
Curated by Leslie Harding
Archaeology of Loss
FAC, 2021
Curated by Rachel Cieśla
MUSEUM COLLECTIONS
He Art Museum, The National Gallery of Australia, The National Gallery of Victoria, Australian Centre for the Moving Image, Heide MoMA, La Bibliotheque Nationale de France, UQ Museum, The State Library of Victoria, Art Gallery of South Australia, Australian War Memorial
SOLO EXHIBITIONS
Each Apparition, Searches for an Eye
Ames Yavuz Sydney, 2025
The Theatre of War
Dallas Contemporary Museum of Art, 2025
Curated by Lilia Kudelia
The Theatre of War
Australian Centre for the Moving Image, 2024
Curated by Fiona Trigg
The Wine Dark Sea
Art Basel Hong Kong Encounters, 2023
Curated by Alexie Glass-Kantor
The Wine Dark Sea
Ames Yavuz Sydney, 2023
Unbordering Worlds
Northern Centre for Contemporary Art, 2023
Curated by Petrit Abazi
BIENNIALS
Gjon Mili Biennale 17
National Gallery of Kosovo, 2025
Curated by Valentine Umansky (Tate Modern)
Manifesta Biennial 14
Prishtina, 2022
Curated by Catherine Nichols (Hamburger Bahnhof)
AGSA Biennial 18
Art Gallery of South Australia, 2022
Curated by Sebastian Goldspink
PROGRAMMING
New Museum New Inc. / Columbia University Architecture Incubator, Salzburger Kunstverein, OK Sommarakademie Salzburg, PACT Zollverein, Vila 31 Tirana, Rotor Centre for Contemporary Art
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SELECT PRESS
Forbes
30 Under 30 List
The New York Times
The Quest to Find Home
ARTFORUM
AGSA Biennale’s Best Moments
The Art Newspaper
Stanislava Pinchuk Unveils The Wine Dark Sea
The Art Newspaper
Europe Without Monuments – A Thoughtful Meditation
Projets Média
Open Doors with Stanislava Pinchuk
Art Agenda
‘The most effective intervention of Manifesta 14’
Art Basel
Alexie Glass-Kantor on Stanislava Pinchuk’s The Wine Dark Sea
Memo Review
Each Apparition, Searches for an Eye
Australian Centre for Contemporary Art
A World of One’s Own Podcast
Madame Figaro
Points Sensibles
Vogue
Meet Nomadic Artist Stanislava Pinchuk
i-D Magazine
The Transient Spaces of Stanislava Pinchuk