Stanislava Pinchuk is an artist working between data-mapping and information-mining, conflict topographies, and their place within the legacies of literature and politics of translation.
Her practice spans film, architecture, installation, performance, drawing, tattooing and sculpture.
b. 1988 – Kharkiv, Ukraine
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Represented by Ames Yavuz Gallery
( London – Singapore – Sydney )
CURRENTLY SHOWING
NTAa : Intelligence is Automatic
New Technologies Art Award
Fondation Liedts-Meesen
Ghent, Belgium
Curated by
Thierry Dufrêne
20 February – 8 June, 2025
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Mostly Mined Out
Rotor Centre for Contemporary Art
Graz, Austria
Curated by
Nastia Khlestova & Maksym Khodak
7 March – 25 May, 2025
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Permanent Museum Collection Exhibition
He Art Museum
Foshan, China
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Permanent Museum Collection Exhibition
Art Gallery of South Australia
Adelaide, Australia
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UPCOMING
The Theatre of War
Film Screening & Presentation
Rotor Centre for Contemporary Art
Graz, Austria
14 May, 2025
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The Ramsay Prize
Art Gallery of South Australia
Adelaide
30 May – 31 August, 2025
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Each Apparition
Solo Exhibition
Ames Yavuz Gallery
Sydney
31 May – 18 June, 2025
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Polyphonies
Group Exhibition
Ames Yavuz Gallery
London
Curated by
Ananya Mukhopadhyay
6 June – 1 July, 2025
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MUSEUM COLLECTIONS
He Art Museum, The National Gallery of Australia, The National Gallery of Victoria, ACMI, Heide MoMA, La Bibliotheque Nationale de France, UQ Museum, The State Library of Victoria, Art Gallery of South Australia
BIENNIALS
Gjon Mili Biennale – 17 (Prishtina, 2025)
Curated by Valentine Umansky (Tate Modern)
Manifesta Biennial – 14 ( Prishtina, 2022)
Curated by Catherine Nichols (Hamburger Bahnhof)
AGSA Biennial 18 – ( Adelaide, 2022 )
Curated by Sebastian Goldspink
PROGRAMMING
New Museum New Inc. / Columbia University Architecture Incubator, Salzburger Kunstverein, OK Sommarakademie Salzburg, Art Basel Hong Kong (Encounters), Elisava Barcelona, Impact – PACT Zollverein, Dallas Contemporary Museum of Art, Vila 31 Tirana
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SELECT PRESS
Forbes : 30 Under 30 List / New York Times : The Quest to Find Home / ARTFORUM : AGSA Biennale’s Best Moments / The Art Newspaper : Stanislava Pinchuk unveils The Wine Dark Sea / The Art Newspaper : Europe Without Monuments / Art Agenda : ‘the most effective intervention of Manifesta 14’ / Art Basel : Alexie Glass-Kantor on The Wine Dark Sea / Australian Centre for Contemporary Art : A World of One’s Own Podcast / TED Talk : Sydney Opera House / Madame Figaro : Points Sensibles / Vogue : Meet Nomadic Artist Stanislava Pinchuk / i-D Magazine : The Transient Spaces of Stanislava Pinchuk / Pacific Standard : The Art of Nuclear Trauma / Art Collector : Mapping a Connection