Stanislava Pinchuk is an artist working with data-mapping the changing topographies of war & conflict zones. Her work is produced in full independence, and surveys how landscape holds memory and testament to political events – spanning drawing, installation, tattooing, film & sculpture.

b. 1988 – Kharkiv, Ukraine

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Represented by Ames Yavuz Gallery

( Singapore – Sydney )

CURRENTLY SHOWING

14 June – 13 July 2024

 

The Theatre of War
Showing as a part of Memory/Myth
curated by Ananya Mukhopadhyay

Ames Yavuz Sydney II
114 Commonwealth St, Sydney

 

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Permanent Museum Collection Exhibition
He Art Museum, China

 

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Permanent Museum Collection Exhibition
Art Gallery of South Australia

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UPCOMING

Elisava Barcelona
September 2024 – June 2025

Masters in Critical Design
Teaching Faculty

How could subversive imagination be a trigger for transforming the current environmental, political and cultural crisis into desirable futures?

 

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MUSEUM COLLECTIONS

He Art Museum, The National Gallery of Australia, The National Gallery of Victoria, ACMI, Heide MoMA, La Bibliotheque Nationale de France, UQ Museum, The State Library of Victoria, Art Gallery of South Australia

BIENNIALS

Manifesta Biennial – 14 ( Prishtina, 2022 )
AGSA Biennial – ( Adelaide, 2022 )

PROGRAMMING

New Museum (NYC) : New Inc. / Columbia University Architecture Incubator, Salzburger Kunstverein, OK Sommarakademie Salzburg, Art Basel Hong Kong (Encounters), Elisava Barcelona, Impact – PACT Zollverein

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SELECT PRESS

Forbes : 30 Under 30 List / New York Times : The Quest to Find Home / ARTFORUM : AGSA Biennale’s Best Moments / The Art Newspaper : Stanislava Pinchuk unveils The Wine Dark Sea / The Art Newspaper : Europe Without Monuments / Art Agenda : ‘the most effective intervention of Manifesta 14’ / Art Basel : Alexie Glass-Kantor on The Wine Dark SeaAustralian Centre for Contemporary Art : A World of One’s Own Podcast / TED Talk : Sydney Opera House / Madame Figaro : Points Sensibles /  Vogue : Meet Nomadic Artist Stanislava Pinchuki-D Magazine : The Transient Spaces of Stanislava Pinchuk / Pacific Standard : The Art of Nuclear TraumaArt Collector : Mapping a Connection 

DAY 3,768 OF RUSSIAN INVASION OF UKRAINE

DAY 844 OF FULL-SCALE RUSSIAN INVASION OF UKRAINE

DAY 254 OF GENOCIDE IN GAZA