Stanislava Pinchuk is an artist working with data-mapping the changing topographies of war & conflict zones. Her work is produced in full independence, and surveys how landscape holds memory and testament to political events – spanning drawing, installation, tattooing, film & sculpture.

b. 1988 – Kharkiv, Ukraine

Lives & works in Sarajevo, Bosnia & Herzegovina


Represented by Ames Yavuz Gallery

( Singapore – Sydney )


The Theatre of War
Australian Centre for the Moving Image
February 19 – June 9, 2024


Permanent Museum Collection Exhibition
He Art Museum, China


Permanent Museum Collection Exhibition
Art Gallery of South Australia



Elisava Barcelona
Teaching Faculty

Masters in Critical Design

How could subversive imagination be a trigger for transforming the current environmental, political and cultural crisis into desirable futures?

September 2024 – June 2025



He Art Museum, The National Gallery of Australia, The National Gallery of Victoria, ACMI, Heide MoMA, La Bibliotheque Nationale de France, UQ Museum, The State Library of Victoria, Art Gallery of South Australia


Manifesta Biennial – 14 ( Prishtina, 2022 )
AGSA Biennial – ( Adelaide, 2022 )


New Museum (NYC) : New Inc. / Columbia University Architecture Incubator, Salzburger Kunstverein, OK Sommarakademie Salzburg, Art Basel Hong Kong (Encounters), Elisava Barcelona, Impact – PACT Zollverein



Forbes : 30 Under 30 List / New York Times : The Quest to Find Home / ARTFORUM : AGSA Biennale’s Best Moments / The Art Newspaper : Stanislava Pinchuk unveils The Wine Dark Sea / The Art Newspaper : Europe Without Monuments / Art Agenda : ‘the most effective intervention of Manifesta 14’ / Australian Centre for Contemporary Art : A World of One’s Own Podcast / TED Talk : Sydney Opera House / Madame Figaro : Points Sensibles /  Vogue : Meet Nomadic Artist Stanislava Pinchuki-D Magazine : The Transient Spaces of Stanislava Pinchuk / Pacific Standard : The Art of Nuclear TraumaArt Collector : Mapping a Connection .